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Day Tripping

Posted By David Carson On November 29, 2007 @ 2:05 am In Poetry & (non-)Fiction | 6 Comments

The Tuk Tuk was maxed out. The hum of its two-stroke engine was deafening and almost overpowered the timeless beauty of that particular spot. The road was headed due west, in a near perfect line; its trajectory lead away, but also gave time to repose, to look back and to ponder the significance of that which had just been seen. Moments before, I had stood in awe of Ankor Wat, that silent, lifeless monument which was once the cultural and religious epicenter to an all but forgotten people.

It is an immense compound – Ankor itself is by far the largest, but there are many lesser Wats in the surrounding area – each a haunting relic of the past; ancient ruins, slipping back into the jungle, being reclaimed, reminding us of a great prehistory, a history whose exploits and battles are depicted on massive walls of stone.

There is an inevitable feeling of insignificance that envelops the spirit of the average tourist when they enter the compound, for it is so vast, so real, yet so completely vacant that one begins to ponder the plight of all people – as history marches on, are we all to be swallowed up by the jaws and insatiable appetite of time? Will our reign on this planet be rendered skeletal like Ankor? Are we to become mysterious ghosts in some ever thickening jungle?

Skeletons, those lifeless outlines of something that once breathed, pulsed, thrived seem only to be able to tell part of a story, as if words and history vanish into the soil and float away into the cosmos. What these bones of stone at Ankor do is show us a story, provide us with a snapshot of one particular time and place, and in so doing, they mesmerize us with that which they illuminate and torment us with the questions they unearth. Answers are fleeting here and as the jungle closes in and time marches on, more questions arise. We feel at once closer to the past yet irrevocably removed from it.

So what do we do? How do we cement those memories into our minds? Like the snapshots of the past provided to us by the structures themselves, so too do we photograph, catalog and classify, all in an attempt to retain some of the aura and to allow us to venture down that same road when ever we should so desire. Of course, the moment we walk away from a place like Ankor Wat, the initial impact, watching the sun rise over its great turrets or standing transfixed as the building literally climbs out of the night, is lost. These experiences can never truly be relived, but we try. We click. We focus. We flash. We curse. We snap. We attempt to capture the experience so that we can relive it over and over again.

I am no different. My camera is always poised, itching to snap, like a drunk awaiting the chime of the noon time bell. Like most, I feel a need to remember my experiences and the photograph, it exacting - albeit two dimensional – quality is the best way I know how. Ankor Wat provides countless scenes, ooh and aah moments that simply must be documented. A forgotten pillar lies just as it has for seven hundred years, and on this day the light is filtering in through an adjacent window, giving the entire scene an ephemeral quality and in the mind’s eye, a monk has just emerged to perform his morning prayers. Snap. The moment, the experience, is captured, stored and saved, to be reminisced over in the coming months and years.

As I mentioned at the beginning, the Tuk Tuk was maxed. We were careening away from Ankor in a desperate attempt to beat the hoards of tourists who had also flocked there on that same day, in the middle of the Chinese New Year. The heat was oppressive and the breeze from the Tuk Tuk was a welcome respite. I could taste the engine as it blasted through its tank filled with fully leaded gasoline, but I didn’t care. This was an amazing day and my smile couldn’t have been wiped away with sandpaper.

“There still many land mines in the area, unchecked, live,” our enthusiastic driver informed us as we all but flew towards our next destination. I remember pondering the gravity of his statement – each year in Cambodia, close to a thousand people are maimed or killed by these buried nightmares – but his smile, his casual, kind demeanor, seemed wholly at odds with the information he had just provided and it dawned on me that this is perhaps one key to Cambodian perseverance. In a country with such a history of bloodshed, so much starvation and pain, how can they not now smile, for they have made it through some of the most heinous atrocities imaginable and they have emerged in victory, with only a few thousand land mines as an agonizing reminder of the monster that was the Khemer Rouge Regime. They are here, their lives are improving slowly and this must be why our lovely driver was all smiles. He – the entire country too – is a testament to the power of the human spirit.

He smiled again. “We almost there now. Oh my God – so busy, more than I ever see.”

There, at the entrance to Bayon, a smaller, crumbling Wat, famous for its immense stone structures of an important deity, my eyes widened, for it was shortly after eight a.m. but up ahead, no more than two hundred metres, were literally hundreds of Tuk Tuks, each honking and jostling and trying to gain an upper hand on their competitors. As my eyes grew large, my heart began to sink and in that moment the Tuk Tuks, Chinese New Year and all those damned tourists – just like me – flooded my mind and overwhelmed me.

My camera, my trusty companion, had previously been perilously placed in the inside pocket of my basketball shorts, which were designed to hold something like a key, a ring or a similar small object. My camera case was in hand. Why it was not performing its sole duty was entirely my fault. A slight bump in the road and the shockless Tuk Tuk took the hit like a speed bike racing down a mountain trail. In that moment, my camera leapt from my pocket, seemingly willed to do so by some unknown force, and crashed on to the road below. In a whiplash-like motion, I swung my head around just in time to watch it strike the cement, bounce once, and then break into pieces. Upset, but unwilling to let the pain of losing my sidekick destroy the day, I begrudgingly instructed the driver to continue on. He did. I said a silent good bye to my long time friend.

Behind, in another Tuk Tuk, were two friends and they bore witness to the entire incident, from awful impact to the camera’s final resting place somewhere on the side of the road. Being eternally optimistic, or wonderfully thrifty, they shouted, “stop!” Their driver obliged and they pulled over to retrieve the broken bones of my former camera.

Slowly, their Tuk Tuk sidled up alongside and they handed the heap of plastic and metal over to me.

“Was only the batteries that fell out,” they said. Sure enough, my camera, aside from a slight scratch on one corner, appeared as good as new. “We don’t know if it works – the lens is probably shattered – but no harm in trying, right, and no use losing your memory card.”

They had a point. I had forgotten about my memory card and I was grateful for their quick thinking. However, there was no way that my camera was going to work. At the time of impact, we had been traveling at speeds in excess of sixty km/hr, and the camera had fallen at least three feet on to the road below.

I turned it on. Its little motor fired up. The telltale icon flashed on the screen. It seemed primed and ready. Could it be? Surely the lens was damaged or the flash shattered. Some vital mechanism must have been destroyed in the fall. But from the initial appearance of things, it seemed good to go.

I looked at my Tuk Tuk driver. He seemed as impressed as I was. With a coy smile, I pointed my camera in his direction. He beamed. I pressed and clicked. The picture was saved. It is one of my favorite images from my trip. My camera survived its Cambodian adventure. In some way, its perseverance reminded me of my driver, of the Nation in general. When the odds are stacked against you, when danger still lurks in the shadows, it is a true test of will to emerge on top, unscathed. Cambodia lives on, a spectacle for the world, reminding us that we can survive the greatest of falls, defeat the toughest odds. We find strength in its ancient past and smile at what they are accomplishing today. After a painful fall, the pieces are being put back together here and the images being created are the most beautiful of all.


6 Comments (Open | Close)

6 Comments To "Day Tripping"

#1 Comment By Archie On November 29, 2007 @ 7:49 pm

Really enjoyed reading this. I’m reminded of all the authors who’ve thought about the ways in which we look at art - “About Looking” by John Berger comes to mind. What is gained and what is lost in the taking of a photograph, in the capturing of a moment in a painting? What happens when it is combined with the incessant need to classify and compartmentalize objects, feelings, thoughts, and expression? There is often a disconnect, something that I think your story has escaped by reminding the reader of context and self-reflection. I appreciated the remarks on the Khemer Rouge regime, the landmines, and how the lives that have been affected come to be transformed. And I hope that others who travel to the South Asian region pose similar questions to both themselves and others who live and experience the Cambodian everyday.

#2 Comment By Sean B On December 1, 2007 @ 4:49 pm

great essay Dave. really brings me back to the place. its magnificence, mystery, tragedy, hope and buzzing tuk tuk sounds… like bees heading to the hive party. i was there with some of our mutual friends and i think we all got the sense of being somewhere truly awesome… awesome, there’s a word exclusively understated until you visit a place of this magnitude. its impact is soul-melting. Ankor Wat at sunset! ..its a Grand Canyon, Great Pyramid, Niagara Falls, Colloseum… places that all made me forget about Me.

Cambodia was the most humbling experience of my life though, actually. i met some very warm people there that welcomed me to their wonderful homes and i saw the evidence of a wicked time up close and it was very personal and it did make me ill. death haunts the capital city of Pnom Pen. monuments of their struggle remain intacked, reminding them of their history…never to be forgotten, lest they be repeated. the poverty wreaking the half-paved streets, the girls selling themselves everyday, the innocent people who’ve lost their legs to mines begging to survive, the haunting killing fiels in the countryside, the prosperous few taking their whole family by motorbike to market and the regular things happen just as they will…life goes on there, the horror is over but not brushed away. things are alot better there and anyone who can should go to see it. bring your money and bring your compassion and if there’s one thing that Cambodia will give you back, its a feeling that you are one lucky asshole and that you should never take that for granted. good stuff.

#3 Comment By Eliot Che On December 3, 2007 @ 1:01 am

Sean and Dave, when you guys went to Ankor Wat, was there any talk of closing down the site to tourists? In China, they’re starting to shut down public access (at least close-up viewing) to certain areas. I think one example is the Terracotta Warriors. Part of me thinks that this isn’t a good idea, because it takes away from the intimacy of being there and actually seeing the site for yourself (which is something I haven’t done yet - seen Ankow Wat, I mean). On the other hand, preserving archaeological artifacts is hard when there are many people nearby.

#4 Comment By David Carson On December 3, 2007 @ 2:14 am

There wasn’t any talk - at least that I heard - specifically about closing down the site to tourists, but they are talking about controlling it. As it stands right now, you basically have access to walk where you want, to climb on, to tramp over, anything you should see. Most every room is open to the public and ancient stairways can be ascended by the masses. This is all very fun and if you are respectful, the damage caused by an individual is minimal. The problem is that many people are anything but culturally sensitive and there are literally scores of people who visit Ankor Wat every day. Think about the Caribou and the massive migration that they undertake every year, and imagine the effect that they have on the environment as they stampede across the tundra. This is exactly what is happening at Ankor Wat, and it will have detrimental effects; in fact it is already. While I agree that sites like the Terracotta Soldiers and Ankor Wat are important and ought to be seen, controlled access is the key. After all, for a lot of people, seeing relics from the ancient past is a major motivator to visit a country, but if the sites are damaged, tattered or destroyed, well, people will stop visiting them. Cambodia needs tourism, China is trying to promote itself to the world. These sites are major stops on tourist stops but they need to be maintained. If we allow these sites to be trampled into the ground, not only will major tourist destinations fade away, but more importantly, these tangible pieces of prehistory, so rare yet so vital, will be lost forever.

#5 Comment By Josh Massey On December 13, 2007 @ 12:35 pm

Dave,

Rereading your essay I am impressed by its empathy. There is a deep feeling to the piece, at once sad but hopeful, which really brings you into the subject…and the camera anecdote works really well. The irony of photo-taking is that by constantly clicking to preserve the moment, one ends up being distracted from the enjoyment of the moment itself, and all experience is mediated by the impulse to preserve it. Our obsessions with recording technologies can distance us from life, which is a scary state of affairs. The dropping of the camera in your account is the perfect reminder -.

(here and there some of your sentences can be slightly on the awkward side…just to throw in a little good-natured criticism for you. Like “to ponder the significance of that which had just been seen”. Or “they mesmerize us with that which they illuminate”.These kinds of construction jarred my reading at times - maybe you could tighten up some of your tenses, cut some excess verbiage?) But that’s just cosmetics really…good job!

#6 Comment By David Carson On December 15, 2007 @ 12:21 am

Mr Massey, what a wonderful surprise to hear from you. Honestly, I have no idea how long it’s been since we last saw each other, but I know that it has been ages. I have a hazy memory of chatting with you in a bar in Ottawa, during our university days, and you told me that you were studying philosophy. Needless to say, it’s been too long. So, thank you for taking the time to read my little piece and for providing much needed criticism. I re-read my story, taking your words in account, and you are absolutely correct. It’s true that I can be a tad wordy at times and it is something that I must work on. Thank you. Much obliged.
I read [1] your piece with great interest, and as I read I was taken way back in time, to a story that you composed about the duality of hitting the goal post on a breakaway and, I believe, ejaculating prematurely while attempting to bid adieu to virginity. You have an amazing ability to combine seemingly unconnected elements into a seamless marriage - Canada and the poem, the post and ultimate sexual dejection. I hope that this brilliant website will allow us to share more ideas and to keep our communication channels open. There you have it. I would like to add more work to this site and I would appreciate your thoughts.
Thanks again. Your piece, by the way, was amazing - unique, seemingly uncharted. You are the deepest of thinkers my friend. All the best and I hope to hear from you soon!


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